A real process from start to finish — no more procrastinating.
Most London classes put 15, 20+ actors in a room, all working the same material. I know — I paid for them. Years ago I spent £200 on a weekend workshop and got fifteen minutes on the floor. So I built the class I couldn't find.
"You will do this all the time, all three hours. You will be completely included in this process."
Aneta BohunMaximum six actors. Your scene, chosen for you. One full hour on the floor, every session.
Dates and times are on the booking page.
Four weeks on a character chosen specifically for you — a way of working you can repeat for yourself. Blocks roll every month, so the work compounds instead of resetting. That's how Tom trained — his year is below.
Twelve hours of live training across four weeks.
"I've gone to so many classes where you run a scene twice that's like one page. Here we're on the floor for an hour at least — and that's with a four, five page scene."Tom Panto
Because we're all as individual as our fingerprints. Your scene targets your weaknesses — so class time turns them into strengths. Picked specifically for you after your welcome call, sent one week before class. You walk in ready.
Instead of a page covered in random scribbles, you leave with an emotional score: exactly what your plan of attack is, written into the text.
Thirty minutes before your first session: your training, your career, your goals. Private time with me, included in every booking.
After every class you get a homework email: exactly what to work on and how. Stuck between classes? Email me. I answer. Expect around six hours of homework a fortnight — only the serious need apply.
"You're always open. You're always approachable. You answer my emails very quickly."Noah Santana — six-week intensive
Family time after class. Theatre trips together. Scene partners who become your readers for life.
"Rich created a very safe environment for everyone and everyone was very supportive."Michael Zgatni
You'll feel the difference before you can explain it. I'm developing your internal gauge — so you know when you're connected, you know when you're off, and you can tweak it for yourself.
In class you always have an audience. You'll feel people watching at the start — then you'll be so connected you won't. When you know you can act, because you keep killing it in class, you won't freeze in auditions. You'll deliver.
Actors from major feature films have come to me stuck in commercials for years. Others lost their agency in lockdown and never got moving again. I'm an expert at creating solutions — there's a way around everything.





Choose your dates. Only two blocks open at a time — when a room fills, it's full.
Book your place. Under two minutes.
Welcome call. Thirty minutes with me before your first session.
Receive your scene. One week before class. Chosen for you.
Tom filmed a check-in at every stage. Watch the process arrive in real time — month one to one year.
First commercial
A guest role in "Eloise", starring Ryan Reynolds
Preparing his first lead




The steps work. If you do.
Book your block →"It was absolutely amazing. It's the best acting experience I've ever had."
Amelya Goldy"I've just booked my first paid role — having used the Chubbuck method in my self-tape! Thanks for your teaching x"
Amelya GoldyOther recent success stories include:
Your scene arrived a week ago — chosen for you, after your welcome call. You step on the floor and for a full hour it's your scene, your work. You leave tired, lit up, and holding a script that finally tells you exactly what to do.
Four 3-hour sessions · one full hour on the floor per scene · your scene chosen for you · your Emotional Score · a welcome call with me · homework and support between classes · maximum six actors.
When it runs:
Mondays or Tuesdays, 6–9pm
Blocks roll every month
Sylvester Road, Hackney Central, E8 1EP. The next start dates are on the booking page. Your scene goes out a week before we start.
The first four chapters of The Power of the Actor before your first class.
£45 secures your place. The balance is settled before your material goes out. Want to spread it? Email me and we’ll set up a plan — the earlier you book, the further we can spread it.
New to the technique, or been away a long time? Start with the two-week Intro →
Class is open to all. Most actors who find me are already working — and you'll likely share the floor with someone further ahead in the technique than you. Five years of teaching has proven that speeds your growth considerably. I've worked with beginners, actors returning after raising children, and people entering the business after a first career. If you're ready to work hard, I can help you change the game.
The 1-2-1 work is all on Zoom, wherever you are in the world. Group classes are in-person in London — and the online group class waitlist is now open. Join it here →
Most classes give you inspiration. This gives you a process. There's a difference between feeling good after class and knowing exactly what to do when you're alone with a script at midnight before an audition.
Book the block and commit to all four sessions — the same professionalism you'd bring to an audition: on time, prepared, ready to do your best work. Transfers are possible when both actors can move to the same class. Full terms at booking.
No. We work in a personal way, so no recording is permitted.
21 and over.
One hour with me on Zoom puts the process straight onto your exact material. £75. You'll leave knowing precisely what to do before you record.
5 Steps to a Self-Tape You're Proud to Send. Grab the guide and have a go at re-taping your last self-tape — feel the difference for yourself.